Mens Murly Haircut Free Pictures Pics Images Photos 2013

Mens Murly Haircut Biography

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Much like today, hair for the Romans was as much an expression of personal identity as clothes. Haircut were determined by a number of factors, namely gender, age, social status, wealth and profession. How one dressed one's hair was an indication of who you were and what your role in society wasHair was a very erotic area of the female body for the Romans, and attractiveness of a woman was tied to the presentation of her hair. As a result, it was seen as appropriate for a woman to spend time on her hair in order to create a flattering appearance. Lengthy grooming sessions for women were tolerated, despite writers such as Tertullian and Pliny commenting on their abhorrence for time and energy women dedicate to their hair. However, the numerous depictions of women hairdressing and mirror-gazing in tomb reliefs and portraiture is a testament to how much hairdressing was seen as part of the female domain.In more than just attractiveness though, hairstyling was the leisure pursuit of the cultured, elegant female. Hair was seen as much as an indication of wealth and social status as it was of taste and fashion. But unlike modern-day hairstyles, comfort and naturalism for the Romans took a back-seat to hairstyles that displayed the wearer's wealth to a maximum. In other words, having a complex and unnatural hairstyle would be preferred to a simple one, because it would illustrate the wealth of the wearer in being able to afford to take the time to do their hair.A 'natural' style was associated with barbarians, who the Romans believed had neither the money nor the culture to create these styles. Incidentally, the association with barbarians was why Roman men kept their hair cut short. It was the job of slave hairdressers, called Ornatrices, to create their master's hairstyle new each day, and so too of pulling out any grey hairs.Apart from society, hair was used symbolically to mark rites of passage; for instance loosened hair was common at a funeral, and the seni crines was the hairstyle worn by brides and Vestal Virgins; divided and plaited into six braids, and in the case of the bride, it was parted with a spear.Perhaps due to its erotic association, hair was often linked with Roman ideas of female modesty and honour. We know that veils were important in this case, as they protected (or encouraged according to Seneca the Elder) against solicitations by men.The Palla was the mark of a married, respectable woman. It was a piece of cloth wrapped around the body with one end over the shoulder. There is significant evidence for the palla being draped over the back of the head as a veil.The palla supposedly signified the dignity and sexual modesty of a married woman, but due to its encumbering nature as a veil, there has been much debate whether it was only worn in public by the aristocracy, or if at all by working women of lower classes.Vittae were woollen fillets that bound a married woman's hair. They were another indication of a wife's modesty and purity and were seen as part of the clothing and presentation of a matron. Vittae could be inset with precious stones, or in the case of the Flaminicae, they would be purple in colour.